Mostrar mensagens com a etiqueta adornos. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta adornos. Mostrar todas as mensagens

28/05/2009

the art of adornment

Bust portrait of an Aboriginal woman

c.1873-74

LINDT, J. W.

Frankfurt-am-Main, Germany 1845 – Black's Spur, Victoria, Australia 1926

National Gallery of Australia

Shika. Jeune Fille Isambu.

New York Digital Library

Seated woman with necklace

WALKER, Murray

Ballarat, Victoria, Australia born 1937

National Gallery of Australia

Sarah Ann Drew

about 1827

Artist: Ruth Whittier Shute, American, 1803–1882

The Museum of Fine Arts, Boston

Mary O'Connel, Pittsfield, Massachusetts

ca. 1840

attributed to Ammi Phillips

American, 1788 - 1865

Princeton University Art Museum.

Cinco exemplos na arte e fotografia étnica, popular, e moderna da mulher e o adorno; o colar.

Five examples of the woman and the adornment piece, necklace, in ethnic, folk, and modern art.

Mais/More : The Art of Adornment.

24/01/2009

the art of adornment

Taos Woman

North America.

by Edward Curtis, 1905.

Komi Girl.

Ruthenian Woman.

Ellis Island, c. 1906.

from the New York Public Library

Laplander Woman from Finland.

Ellis Island

c.1906-1914.

Fellah Woman,Egypt.

c. 1902.

New York Public Library Digital Collection.

Dutch Woman

Ellis Island, 1906-1914.

from the New York Public Library

Este é o meu segundo post sobre a arte de adornar para mostrar e falar (muito ligeiramente) do lenço como adorno. Há duas semanas atrás vi um programa que falou do povo de Komi. Uma mulher Komi mostra orgulhosamente os lenços antigos da mãe e avó e explica que gosta de andar bem vestida e que tem vaidade. Ao examinar a beleza dos lenços russos (muito parecidos com os nossos portugueses) percebe-se que a sua função não é só de proteger ou esconder mas sim, de embelezar.

Mulher Portuguesa

Vianna do Castello (Viana do Castelo)

Sec. XX

Woman from Kursk.

1835.

Russian Bourgeois Woman. 1876.

Bambara Woman, Senegal.

1853.

04/10/2008

the art of adornment

A full-blood Omaha Woman Digital ID: 92328. New York Public Library

A Full Blood Omaha Woman, North America

from the New York Public Library Digital Gallery.

A Negress of Bahia. Digital ID: 1105126. New York Public Library

A Negress of Bahia, Brazil

from the New York Public Library Digital Gallery.

Mulher de Maia, Portugal

by Joshua Biel

early XX century

International Art Collection UNKNOWN PHOTOGRAPHER Papari woman, Darjeeling 1880s albumen silver photograph image 26.9 h x 20.8 w cm Accn No: NGA 2007.81.151 from the National Gallery of Australia.

I have started collecting images of portraits (mostly women ) with adornments. It is so interesting to see the differences but even more fascinating comparing the similarities in these portraits. And most of all, the beauty of them. At this point I am collecting mostly older portraits and would eventually like to expand to more modern times.

My interest in these comes from on the one hand the part of me that loves ethnology and anthropology and the other more practical part that comes from working in a small family business that follows the process of the making of an adornment to the retail sale of the art piece.

I had an aunt in Boston that sold Navajo art pieces that she bought directly from artists. I imagine her buying from Indians such as Mamie Deschille. Exquisite pieces made with turquoise, silver and onyx. I have begun reading about adornment, mainly about the filigree process in Portugal. In his ethnography collection Rocha Peixoto speaks a bit about the history of adornment and the use of precious metals. He uses intriguing words like seduction, power, luxury and worship that are associated with this art of adornment. I will talk more about this in later posts.

Mais: Welcome/ Bemvindo á Teresa Perdigão e o seu recente e enriquecidor blog a coisas são como são. Definitivamente faz parte do meu roteiro diário de blogues.

Muito obrigada à Micheliny Verunchsk pela a minha inclusão no seu artigo sobre a migração num mundo com blogues. Podem ler o artigo aqui. Foi escrito para a revista online da Itaú Cultural, a Continuum.